القدس في ديوان (في رحاب الأقصى) للشاعر يوسف العظم " دراسة تحليلية "

Abstract

This paper aims at exploring the image of Al-Quds in Fi Riḥab Al-Aqsa (In the courtyards of Al-Aqsa). It is an attempt to identify the images used by the poet for this holy city, the extent the poet succeeded in this poetic portrait. Furthermore, the paper investigates the rhetorical styles the poet employs in revealing these images as represented in mental imagery and image, language, and stylistic features. ‫ﻗﻠ‬ ‫ﻓﻲ‬ ‫ﻓﻠﻬﺎ‬ ،‫ﺍﻟﻤﺴﻠﻤﻴﻥ‬ ‫ﻭ‬ ‫ﻟﻠﻌﺭﺏ‬ ‫ﹰ‬ ‫ﺩﻴﻨﻴﺎ‬ ‫ﻭ‬ ‫ﹰ‬ ‫ﺘﺎﺭﻴﺨﻴﺎ‬ ‫ﹰ‬ ‫ﺭﻤﺯﺍ‬ ‫ﺍﻟﻘﺩﺱ‬ ‫ﺘﻤﺜل‬ ‫ﹰ‬ ‫ﻨﻅـﺭﺍ‬ ‫ﻤﻘﺩﺴـﺔ‬ ‫ﻤﻜﺎﻨﺔ‬ ‫ﻭﺒﻬﻡ‬ ‫ﺒﺎﻟﺭﺴـﻭل‬ ‫ﺃﺴـﺭﻱ‬ ‫ﻤﻨﻬﺎ‬ ‫ﻭ‬ ،‫ﺍﻟﺸﺭﻴﻔﻴﻥ‬ ‫ﺍﻟﺤﺭﻤﻴﻥ‬ ‫ﺜﺎﻟﺙ‬ ‫ﻭ‬ ،‫ﺍﻟﻘﺒﻠﺘﻴﻥ‬ ‫ﺃﻭﻟﻰ‬ ‫ﻓﻬﻲ‬ ،‫ﺒﻌﻘﻴﺩﺘﻬﻡ‬ ‫ﻻﺭﺘﺒﺎﻁﻬﺎ‬-‫ﺴﻠﻡ‬ ‫ﻭ‬ ‫ﻋﻠﻴﻪ‬ ‫ﺍﷲ‬ ‫ﺼﻠﻰ‬-‫ﺍﻟﻜﺭﻴﻡ‬ ‫ﺍﻟﻘﺭﺁﻥ‬ ‫ﻨﺹ‬ ‫ﺒﺭﻜﺘﻬﺎ‬ ‫ﻋﻠﻰ‬ ‫ﻭ‬ ،‫ﺍﻟﻌﻠﻰ‬ ‫ﺍﻟﺴﻤﻭﺍﺕ‬ ‫ﺇﻟﻰ‬ ‫ﺒﻪ‬ ‫ﻋﺭﺝ‬ ‫ﻤﻨﻬﺎ‬ ‫ﻭ‬ ،) ‫ﺍﻷﻗ‬ ‫ﺍﻟﻤﺴﺠﺩ‬ ‫ﺇﻟﻰ‬ ‫ﺍﻟﺤﺭﺍﻡ‬ ‫ﺍﻟﻤﺴﺠﺩ‬ ‫ﻤﻥ‬ ‫ﹰ‬ ‫ﻟﻴﻼ‬ ‫ﺒﻌﺒﺩﻩ‬ ‫ﺃﺴﺭﻯ‬ ‫ﺍﻟﺫﻱ‬ ‫ﺴﺒﺤﺎﻥ‬ ‫ﻟﻨﺭﻴـﻪ‬ ‫ﺤﻭﻟﻪ‬ ‫ﺒﺎﺭﻜﻨﺎ‬ ‫ﺍﻟﺫﻱ‬ ‫ﺼﻰ‬ ‫ﺍﻟﺒﺼﻴﺭ‬ ‫ﺍﻟﺴﻤﻴﻊ‬ ‫ﻫﻭ‬ ‫ﺇﻨﻪ‬ ‫ﺁﻴﺎﺘﻨﺎ‬ ‫ﻤﻥ‬) (‫ﺍﻹﺴﺭﺍﺀ‬ : ‫ﺁﻴﺔ‬ 1 (‫ﺘﻔـﺴﻴﺭ‬ ‫ﻓﻲ‬ ‫ﺠﺎﺀ‬ ‫ﻗﺩ‬ ‫ﻭ‬ " ‫ﺤﻭﻟـﻪ‬ ‫ﺒﺎﺭﻜﻨـﺎ‬ " ‫ﺍﷲ‬ ‫ﺃﻥ‬ ‫ﺍﻟﻤﻼﺌﻜﺔ‬ ‫ﻤﻬﺒﻁ‬ ‫ﻭ‬ ‫ﺍﻷﻨﺒﻴﺎﺀ‬ ‫ﻤﻘﺭ‬ ‫ﻷﻨﻪ‬ ‫ﻗﻴل‬ ‫ﻭ‬ ،‫ﺍﻷﺜﻤﺎﺭ‬ ‫ﺃﻨﺒﺕ‬ ‫ﻭ‬ ،‫ﺍﻷﻨﻬﺎﺭ‬ ‫ﺤﻭﻟﻪ‬ ‫ﺃﺠﺭﻯ‬) 1 (‫ﺃﺒـﻲ‬ ‫ﻋـﻥ‬ ‫ﻭ‬ ‫ﻴﻘﻭل‬ ‫ﻋﻤﺭ‬ ‫ﺒﻥ‬ ‫ﺍﷲ‬ ‫ﻋﺒﺩ‬ ‫ﺴﻤﻌﺕ‬ ‫ﻗﺎل‬ ،‫ﺍﻟﻤﻘﺩﺱ‬ ‫ﺒﻴﺕ‬ ‫ﻤﺅﺫﻥ‬ ‫ﺍﻟﻌﻭﺍﻡ‬ : ‫ﻓﻲ‬ ‫ﺘﻌﺎﻟﻰ‬ ‫ﺍﷲ‬ ‫ﺫﻜﺭﻩ‬ ‫ﺍﻟﺫﻱ‬ ‫ﺍﻟﺴﻭﺭ‬ ‫ﺇﻥ‬ ‫ﺒﻘﻭﻟﻪ‬ ‫ﺍﻟﻘﺭﺁﻥ‬) : ‫ﺍﻟﻌﺫﺍﺏ‬ ‫ﻗﺒﻠﻪ‬ ‫ﻤﻥ‬ ‫ﻅﺎﻫﺭﻩ‬ ‫ﻭ‬ ‫ﺍﻟﺭﺤﻤﺔ‬ ‫ﻓﻴﻪ‬ ‫ﺒﺎﻁﻨﻪ‬ ‫ﺒﺎﺏ‬ ‫ﻟﻪ‬ ‫ﺒﺴﻭﺭ‬ ‫ﺒﻴﻨﻬﻡ‬ ‫ﻓﻀﺭﺏ‬) (‫ﺍﻟﺤﺩﻴﺩ‬ : ‫ﺁﻴﺔ‬ 13 (‫ﺍﻟﺭﺤﻤﺔ‬ ‫ﻓﻴﻪ‬ ‫ﺒﺎﻁﻨﻪ‬ ،‫ﺍﻟﺸﺭﻗﻲ‬ ‫ﺍﻟﻤﻘﺩﺱ‬ ‫ﺒﻴﺕ‬ ‫ﺴﻭﺭ‬ ‫ﻫﻭ‬ : ‫ﺍﻟﻌـﺫﺍﺏ‬ ‫ﻗﺒﻠﻪ‬ ‫ﻤﻥ‬ ‫ﻅﺎﻫﺭﻩ‬ ‫ﻭ‬ ،‫ﺍﻟﻤﺴﺠﺩ‬ : ‫ﺠﻬﻨﻡ‬ ‫ﻭﺍﺩﻱ‬) 2 (‫ﺘﻌﺎﻟﻰ‬ ‫ﻗﻭﻟﻪ‬ ‫ﺃﻤﺎ‬) : ‫ﺍﻟ‬  ‫ﻴﻨﺎﺩ‬ ‫ﻴﻭﻡ‬ ‫ﺍﺴﺘﻤﻊ‬ ‫ﻭ‬ ‫ﻗﺭﻴﺏ‬ ‫ﻤﻜﺎﻥ‬ ‫ﻤﻥ‬  ‫ﻤﻨﺎﺩ‬) (‫ﻕ‬ : ‫ﺁﻴﺔ‬ 41 (‫ﻴﺯﻴﺩ‬ ‫ﻗﺎل‬ ، ‫ﻓﻴﻘـﻭل‬ ‫ﺍﻟﺼﻭﺭ‬ ‫ﻓﻲ‬ ‫ﻓﻴﻨﻔﺦ‬ ،‫ﺍﻟﻤﻘﺩﺱ‬ ‫ﺒﻴﺕ‬ ‫ﺼﺨﺭﺓ‬ ‫ﻋﻠﻰ‬ ‫ﺇﺴﺭﺍﻓﻴل‬ ‫ﻴﻘﻑ‬ ‫ﺍﻵﻴﺔ‬ ‫ﻫﺫﻩ‬ ‫ﻓﻲ‬ ‫ﺠﺎﺒﺭ‬ ‫ﺒﻥ‬ : ‫ﺃﻴﺘﻬـﺎ‬ ‫ﻟﻴـﻭﻡ‬ ‫ﺘﺠﺘﻤﻌـﻲ‬ ‫ﺃﻥ‬  ‫ﻴـﺄﻤﺭﻙ‬ ‫ﺍﷲ‬ ‫ﺇﻥ‬ ،‫ﺍﻟﻤﺘﻘﻁﻌـﺔ‬ ‫ﺍﻷﺸـﻌﺎﺭ‬ ‫ﻭ‬ ،‫ﺍﻟﻤﺘﻤﺯﻗﺔ‬ ‫ﺍﻟﺠﻠﻭﺩ‬ ‫ﻭ‬ ،‫ﺍﻟﻨﺨﺭﺓ‬ ‫ﺍﻟﻌﻅﺎﻡ‬